Sin Ultra (2019)

Amanda Kramer's provocative dance film critiques the obsession with young female corpses in film and television. Set in a surreal cardboard factory, the narrative explores a chilling landscape filled with lifelike, partially clothed mannequins that mimic the aesthetic of thrillers and crime dramas. With an unsettling blend of torn stockings and artfully arranged fake blood, "Sin Ultra" holds a mirror to society's fixation on violence against women, challenging viewers to confront the disturbing realities behind their cinematic fantasies.